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Its spark seems to have long since fizzled out. The HPV component certainly doesn't have the same memorably enchanting affect it used to have, and it's actually becoming fairly obvious that this formula is becoming more and more ineffectual with every release. It's been a tremendously good run though. Scooter fans should never forget 'The Night', 'The Logical Song', or 'Nessaja', as they've deployed the somewhat risky venture of appealing to people in that way and they were undeniably superb. But yes, it's become apparent that the success of those classics perhaps fueled the ongoing conviction that those warm and fuzzy refrains are received well, when the opposite is in fact becoming true.I agree. Also high-pitched voice is not so attractive as before, so there is a question - why are you use it so often?
I'm in love with the HPV they're so fond of. Using it a little more sparingly though certainly wouldn't hurt anyone; preferably once or twice on a new album release to work towards capturing the magic that has been lost to its abundant presence on every record.

Quoted
Does anyone really actually sing the parts for the high-pitched voice, and then RIck changes / warps it to be higher in the studio? Or is the high pitched voice completely produced in the studio / machine made??